<p class="ql-block"> 最近中國與法國關(guān)系走得比較近，中法文化交流各方面展開。今天下午在我家附近濃園舉行這個畫展的開幕式，于是乘車前往。</p> <p class="ql-block">濃園的環(huán)境充滿了自然與藝術(shù)的氣息，一走進(jìn)來就被環(huán)境中的花花草草吸引了。</p> <p class="ql-block"> 進(jìn)大門大約100多米，便到了濃園的美術(shù)館。為了這次中法藝術(shù)交流的畫展，美術(shù)館前面的小道已經(jīng)布置了優(yōu)美的花籃和藍(lán)色的地毯，開幕式的氛圍已經(jīng)拉滿。</p> <p class="ql-block"> 繡球花紫色的優(yōu)雅與法國的浪漫正是相合。</p> <p class="ql-block"> 走近美術(shù)館，這才發(fā)現(xiàn)一位女子已經(jīng)在那兒彈著古箏，為開幕式營造藝術(shù)盛會的氛圍。</p> <p class="ql-block">開幕式尚未進(jìn)行，還是趁著這個時間早早的把畫觀賞一番吧</p> <p class="ql-block"> 走入展廳，首先映入眼簾的是幾副我們成都本地著名畫家林躍老師的關(guān)于藏地的畫作。</p> <p class="ql-block"> 喜歡林躍老師的畫，視角沖擊力很強(qiáng)，色彩斑斕，如夢如幻，把藏區(qū)的美景用藝術(shù)的手法展現(xiàn)得淋漓盡致。碰見林老師，還合拍了一張。</p> <p class="ql-block"> 出來走走，每一次都會發(fā)生一些有趣的事情，這次也不例外?？粗周S老師的畫，看著那油光發(fā)亮的畫布，我忍不住去摸了一下那個畫布，心想：是復(fù)制品還是真的畫？真是不巧，正疑惑間一抬頭就看到了他。我連忙道歉，說不好意思，林老師！林老師很豁達(dá)的說：我的畫，可以摸！</p> <p class="ql-block">繼續(xù)往前，依次欣賞中法兩國畫家的畫作</p> <p class="ql-block">讓·米歇爾</p><p class="ql-block"><br></p><p class="ql-block"> Jean Michel Stanislas Garczynski </p><p class="ql-block">1957年出生于巴黎，是法國表現(xiàn)主義藝術(shù)家、造型藝術(shù)家、雕塑家、攝影師和奢侈品設(shè)計師，法國美術(shù)家協(xié)會會員，法國表現(xiàn)主義畫院院長。多次于成都濃園進(jìn)行藝術(shù)駐留，創(chuàng)作了系列以成都風(fēng)土民情，自然風(fēng)光為題材的作品。</p><p class="ql-block"> Jean Michel Stanislas Garczynski , born in Paris in 1957, is a French expressionist artist , plastic artist , sculptor , photographer and luxury goods designer , France Member of the Artists Association and president of the French Expressionist Painting Academy . He has stayed in Nongyuan Art Residency many times and created works based on the natural scenery of Chengdu .</p><p class="ql-block">中法圖像共生藝術(shù)展</p><p class="ql-block"> IMAGE AND IMAGINATION :</p><p class="ql-block"> SINO - FRENCH </p><p class="ql-block"> ART EXHIDITION</p> <p class="ql-block">游曉林</p><p class="ql-block">三星堆的文物可以說是中國獨(dú)一無二的，以此為題材作為繪畫的創(chuàng)作，是許多成都本地畫家的夢想</p> <p class="ql-block">這幾幅畫作把文物穿越到了現(xiàn)在的時空，夢幻迷離，古樸典雅。</p> <p class="ql-block">克里斯·卡爾維特</p><p class="ql-block"> Chris Calvet </p><p class="ql-block">克里斯．卡爾維居住在巴黎，與濃園合作多年，多次參加成都創(chuàng)意設(shè)計周展覽，致力于書法的創(chuàng)新創(chuàng)作。他希望以創(chuàng)新和現(xiàn)代的方式向古老的中國書法藝術(shù)致敬?？死锼埂た柧S在他的藝術(shù)系列《符號》中將書法與富有表現(xiàn)力的身體進(jìn)行聯(lián)系。自原始圖形壁畫以來，符號一直是人性的表達(dá)，反映藝術(shù)家通過基本手勢轉(zhuǎn)錄其內(nèi)在本質(zhì)的能力。身體形狀與書法線條之間的共鳴對藝術(shù)家來說是自然與人類之間堅定不移的鏈接。</p><p class="ql-block"> A multidisciplinary French artist living in Paris . He has cooperated with Nongyuan for many years and participated in Chengdu Creative Design Week many times . Chris Calvet has been working on calligraphy for several years . Through his artistic quest , he wishes to pay humble homage to the age - old art of Chinese calligraphy with an innova - tive and contemporary approach . Seeking a human presence in his works , Chris Calvet associated calligraphy with expressive bodies for his artistic series SIGNE .</p><p class="ql-block"> ALLEGORIE 寓言系列</p><p class="ql-block"> SIGNE 符號系列</p><p class="ql-block">克里斯．卡爾維特將中國傳統(tǒng)書法藝術(shù)與當(dāng)代攝影相結(jié)合的系列作品：《寓言》《符號》寓言是由藝術(shù)家創(chuàng)作的一幅10米長的《符號》書法作品解構(gòu)而成。源自希臘語的 allegore - in ，意為"用圖像說話","通過隱喻（圖像、繪畫等）表達(dá)思想"</p><p class="ql-block">"運(yùn)去清山露","霧散去，青山顯現(xiàn)"。靈感來源于中國的五行學(xué)說中木的能量。</p><p class="ql-block"> ALLEGORIE , a genuine visual journey into the infinite . This mosaic of unique works is made from one of the artist ' s calligraphies of 10 meters long .</p><p class="ql-block">運(yùn)去清山露" The mist passes , the Blue Mountain appears ." Five characters that invite us to immerse ourselves in the Wood energy of the Five Elements of Chinese metaphys - ics .</p><p class="ql-block"> The monumental work was then carefully divided by the artist into a myriad of pieces to create his " fragments of allegories ".</p><p class="ql-block"> Allegory : From Greek all ê gorein , to speak by images " Expression of an idea through a metaphor ( image , painting , etc .)"</p><p class="ql-block">中法圖像共生藝術(shù)展</p><p class="ql-block"> MAGE AND IMAGINATION :</p><p class="ql-block"> SINO - FRENCH </p><p class="ql-block"> ART EXHIDITION</p> <p class="ql-block"> 這兩幅書法，以干枯濃淡和彎曲的線條展現(xiàn)一種動感和韻律，其中還鑲嵌入一個美女，這也算是老外的創(chuàng)新吧。</p> <p class="ql-block">外國人對中國國畫的理解，用沙畫的形式再現(xiàn)了水墨暈染的味道。</p> <p class="ql-block">宇宙之冷一一一讓.米歇爾</p><p class="ql-block">如果不是看到這幅畫的名字，你恐怕想象不到藝術(shù)家想表達(dá)什么吧？其實(shí)從事藝術(shù)的人，從來內(nèi)心都是矛盾的，他們既想要自己的個性表達(dá)，又渴望被人理解。實(shí)際上這樣做起來，很難！</p> <p class="ql-block">美術(shù)館的展廳不大，但是通過這些隔板將空間分割，使陳展的空間更多，而且觀展的路線迂回婉轉(zhuǎn)，空間靈動起來。</p> <p class="ql-block">蕾蒂西婭·艾羅</p><p class="ql-block"><br></p><p class="ql-block"> Laetitia Ayrault </p><p class="ql-block">活躍在插畫、文學(xué)和音樂領(lǐng)域的法國藝術(shù)家，以其跨界的創(chuàng)作風(fēng)格和無盡的創(chuàng)造力贏得了廣泛的認(rèn)可。她不僅是一位杰出的插畫家和作家，還是一位充滿靈感的音樂家。</p><p class="ql-block">作為作家，她出版的紀(jì)錄片漫畫、小說記錄真實(shí)的事件，還通過漫畫的形式賦予了這些事件新的生命和意義。</p><p class="ql-block">除了插畫和文學(xué)領(lǐng)域，藝術(shù)家還積極涉足音樂領(lǐng)域。作為一名音樂人，她將音樂與她的其他藝術(shù)形式相結(jié)合，創(chuàng)作出更具深度和感染力的作品。她在厄瓜多爾駐法國大使館、瓜亞基爾的法語聯(lián)盟以及布魯塞爾的青年文學(xué)中心" Le Wolf "等文化機(jī)構(gòu)舉辦展覽。</p><p class="ql-block"> Illustrator , author and musician , Laetitia Ayrault wears several artistic projects . In 2022, she published an uninhibited Manual of </p><p class="ql-block"> Navigation at Gl é nat and in 2019 a documentary comic called Sur l ' Autre Rive published by Des Ronds Dans l ' O under the pseudonym Isatis . Numerous exhibitions and interventions in cultural institutions took place , notably at the Ecuadorian Embas - sy in France , at the Alliance Fran ? aise in Guayaquil or at the Maison de la Litt é rature Jeunesse " Le Wolf " in Brussels . She has completed several residencies , including a 3- month residency funded by the DRAC . As a musician , she is currently preparing an album and making concerts regularly .</p><p class="ql-block"> IMAGE AND IMAGINATION </p><p class="ql-block"> INENGU</p> <p class="ql-block">你以為藝術(shù)的創(chuàng)作很難嗎？你看看這幾幅畫，就知道繪畫不過是把生活的場景用和諧的色彩表達(dá)出來。</p> <p class="ql-block">這地上鋪設(shè)的白色沙石像極了海水泛起的潮水，柔曼而飄逸，打破了這些豎起的展板的沉悶。陳展是一門藝術(shù)！</p> <p class="ql-block">這幅畫并不難，它的美在于它的素雅，藍(lán)色和白色的搭配永遠(yuǎn)是那么明快而讓人寧靜。這種美和我們的青花瓷如出一轍</p> <p class="ql-block">中國畫有記黑當(dāng)白的這種理念，在這兩幅鋼筆畫上，用白色的線條也勾勒出了一幅閑適優(yōu)雅的生活小場景。</p> <p class="ql-block">花間集.飲綠.芙蓉一一一莊子</p><p class="ql-block">莊子老師的畫，我在文軒美術(shù)館以及他的畫室都看到過，這次再一次領(lǐng)略他用油畫的手法表現(xiàn)芙蓉花的嬌美。</p> <p class="ql-block">清水出芙蓉一李帛</p> <p class="ql-block">李帛的風(fēng)格與莊子又有不同，詩意的畫名，飄逸的筆調(diào)，把芙蓉花勾勒成仙子一樣。</p> <p class="ql-block">熊貓與芙蓉一一一張開溪</p><p class="ql-block">熊貓是成都的名片，畫作里面怎么可能少了它呢！這位畫家更是把成都的市花芙蓉和市寶熊貓集合在了一起。</p><p class="ql-block"> 繪畫與生活實(shí)景的不同，就在于它可以把你想象的事放在一起。</p> <p class="ql-block">OKZK </p><p class="ql-block"><br></p><p class="ql-block">由藝術(shù)家 Eloi Jacquelin 和 Nelson Chouissa 組成的創(chuàng)意組合，自2016年起便致力于在地文化的深入研究。他們以敏銳的洞察力，將區(qū)域視為一個充滿虛構(gòu)潛力的舞臺，探尋其中隱藏的故事和證詞。</p><p class="ql-block">兩位藝術(shù)家對消失的概念和地方生態(tài)問題抱有濃厚的興趣。 Eloi Jacquelin 和 Nelson Chou - issa 的作品充滿了詩意和探尋精神。</p><p class="ql-block"> OKZK : Eloi Jacquelin and Nelson Chouissa .</p><p class="ql-block"> Since 2016, OKZK has been developing research around ruins . Interested firstly to the fictional potential of wastelands , the duo of artists was gradually led to work on the notion of disappearance , on the ecological issues of places abandoned as well as the stories and testimonies that resonate within their walls .</p><p class="ql-block"> Their work speaks as much about the Anthropocene , about the landscape that can survive and about this which disappears . They create digital installations using photography , sculpture , drawing , writing , sound and video .</p><p class="ql-block"> Character invented and embodied by the duo , it allows them to contaminate reality during their exploration , to put themselves on stage and to carry out constructions ephemeral events in the center of the wastelands as well as leading performed visits to discover an outstanding heritage .</p><p class="ql-block">混凝 x 土霧</p><p class="ql-block"> B é ton X Brume </p><p class="ql-block">混凝土霧系列作品是藝術(shù)家對城市區(qū)域觀察的多媒體作品。在創(chuàng)作手法上， OKZK 展現(xiàn)了多元化的藝術(shù)風(fēng)格。他們運(yùn)用攝影、數(shù)字裝置、寫作、聲音和視頻等多種形式，將各種元素巧妙地融合在一起。結(jié)合現(xiàn)場實(shí)驗(yàn)、歷史和科學(xué)數(shù)據(jù)、故事和算法，記錄下每一片土地背后的故事。講述了對地方的探索、他們地方的想象和在地可創(chuàng)生的未來。</p><p class="ql-block"> B é ton X Brume is a series of videos that questions artists ' vision of wastelands urban . By making each abandoned place visible like a ghost ship , B é ton X Brume rethinks these abandoned areas , recounting their explorations , their imaginations and their possible futures .</p><p class="ql-block">中法圖像共生藝術(shù)展</p><p class="ql-block"> IMAGE AND IMAGINATION :</p><p class="ql-block"> SINO - FRENCH </p><p class="ql-block"> ART EXHIDITION</p> <p class="ql-block">從幽暗的裝置空間出來，遇到這個小伙正在為完成新聞報道而拍攝，他征求了我的意見，要拍我觀畫的場景。好吧，不妨事。</p> <p class="ql-block">孟濤</p><p class="ql-block"><br></p><p class="ql-block"> Meng Tao </p><p class="ql-block">1991年畢業(yè)于四川美術(shù)學(xué)院中國畫系，先后任教于四川美術(shù)學(xué)院、川音成都美院，現(xiàn)為四川省油畫學(xué)會副會長，四川音樂學(xué)院美術(shù)學(xué)院教授，職業(yè)藝術(shù)家。孟濤有著開放的藝術(shù)觀念和感悟世界的獨(dú)到視覺敘事能力。</p><p class="ql-block"> Graduated from the Chinese Painting Department of Sichuan Academy of Fine Arts in 1991. He has taught at Sichuan Academy of Fine Arts and Chengdu Academy of Fine Arts . He is currently the vice president of Sichuan Oil Painting Society , a professor at the School of Fine Arts of Sichuan Conservatory of Music , and a professional artist . Meng Tao has an open artistic concept and a unique visual narrative ability to under - stand the world .</p><p class="ql-block">《人機(jī)時代》</p><p class="ql-block"> The Age of Man and Machine </p><p class="ql-block">孟濤的《人機(jī)時代》是技術(shù)時代人類的生存危機(jī)、物質(zhì)感性與器械理性的組合，以及對個體／群體欲望的解析與思考、虛擬與現(xiàn)實(shí)的距離對話的考究，這是他對時代轉(zhuǎn)變的反思、對未來文明的預(yù)見，亦是對信息爆炸和碎片現(xiàn)實(shí)的思考。</p><p class="ql-block"> Meng Tao ' s " The Age of Man and Machine " is about the existential crisis of human beings in the technological age , the combination of material sensibility and equipment rationality , as well as the analysis and thinking of individual / group desires , and the study of distance dialogue between virtuality and reality . This is his response to the changes in the times . Reflection and foresight of future civilization are also reflections on the reality of information explosion and fragmentation .</p><p class="ql-block">中法圖像共生藝術(shù)展</p><p class="ql-block"> MAGE AND IMAGINATION :</p><p class="ql-block"> SINO - FRENCH </p><p class="ql-block"> ART EXHIDITION</p> <p class="ql-block">這些畫著腦回路的頭像，給人一種科幻的感覺</p> <p class="ql-block">巾幗白芙蓉一一一李帛</p><p class="ql-block">畫中的女子倒有點(diǎn)像濃園的老總楊麗的。</p> <p class="ql-block">這幾副小的彩鉛作品，看上去是那么隨意，這便是法國人的那種率性吧。</p> <p class="ql-block">繪畫不需要高大上，它就是生活，它就是你內(nèi)心世界的反咉。</p> <p class="ql-block">這個方寸比郵票大不了多少的照片，也是法國一位藝術(shù)家的制作品，看圖片的內(nèi)容便知道，其實(shí)藝術(shù)并不是一定要表達(dá)美。他是記錄生活和表達(dá)作者的思想和感情的載體</p> <p class="ql-block">再出來，就是中法藝術(shù)家的一個合作作品</p> <p class="ql-block">O </p><p class="ql-block"><br></p><p class="ql-block">圖像共生</p><p class="ql-block"> Image and Imagination </p><p class="ql-block">中法圖像共生藝術(shù)展</p><p class="ql-block"> MIC </p><p class="ql-block"> AND SAC </p><p class="ql-block"> SINO - FRENCH </p><p class="ql-block">邱光平</p><p class="ql-block"> ART EXHIBITION </p><p class="ql-block">克里斯托夫·卡爾維特</p><p class="ql-block"> Qiu Guangpyeong </p><p class="ql-block"> Christophe Calvet</p> <p class="ql-block">走出美術(shù)館，候客室擺著豐富的餐飲甜品和美酒</p> <p class="ql-block">我急著要趕回家，就吃了一小份冰粉、雞蛋酥，蛋糕和蛋黃麻圓，這些都是濃園的員工做的，味道都還不錯。</p> <p class="ql-block">吃完東西發(fā)現(xiàn)這些法國藝術(shù)家太熱忱了，還在不斷的介紹自己的創(chuàng)作過程和設(shè)想。</p><p class="ql-block"><br></p> <p class="ql-block">來到美術(shù)館外面，古箏與小提琴，中國與法國正在進(jìn)行音樂藝術(shù)的交流和碰撞。</p> <p class="ql-block">香檳美酒已經(jīng)準(zhǔn)備好。</p> <p class="ql-block">小桌上的插花芬芳四溢</p> <p class="ql-block">又轉(zhuǎn)回美術(shù)館拍了一張林躍老師藏地油畫的局部，這才心滿意足的往家走。</p> <p class="ql-block">歸去的時候，濃源天藝村，霧氣彌漫，仙氣飄飄。</p> <p class="ql-block">回到家發(fā)了個朋友圈，打了一個總結(jié)：一次美好的觀展之旅。</p><p class="ql-block">【豈有此理】法國藝術(shù)家來到咱們家門口，我豈有不去接待的？！來觀展的多半是媒體人，結(jié)果我這個難得的觀者被采訪了一次又一次。好吧，就算為中法文化的交流盡點(diǎn)綿薄之力?？赐炅耍渣c(diǎn)東西也很愜意！哈哈哈??</p> <p class="ql-block"><a href="https://www.meipian14.cn/51o37cat" target="_blank">瞿上田園，美如畫卷</a></p> <p class="ql-block"><a href="https://www.meipian14.cn/51b3swnw" target="_blank">萬事興龍</a></p>