中國文字精神 Chinese character spirit

AAbc原創(chuàng) / 中國藝術&線上國際

?中國文字精神文／尚柔／指導?胡天遙?中國的象形文字是華夏智慧的結晶，是東方文化藝術魁寶，是老祖先們從原始的描摹事物的記錄方式的一種傳承，也是最形象，演變至今保存最完好的一種文字。象形文字，又稱表意文字，中國的甲骨文字，埃及的文字、蘇美爾文字、古印度文字，它們都是獨立地從原始社會中，用最簡單的圖形和花紋在生活中所產生出來的一種象形文字。? Chinese character spiritWen / Shang Rou / guidance ? Hu TIANYAOChinese hieroglyphics are the crystallization of Chinese wisdom and the Kui treasure of Oriental culture and art. They are a kind of inheritance of the ancestors from the original way of recording things. They are also the most vivid and the best preserved text. Hieroglyphs, also known as ideographs, Chinese oracle bone characters, Egyptian characters, Sumerian characters and ancient Indian characters, all of which are a kind of hieroglyphs independently produced in life with the simplest graphics and patterns from the primitive society. ? 蘇美爾文字／楔形文字 人類從最早史前文明進化到可以用語言和文字交流文明，其中文字的形成起到非常重要的溝通交流作用，而世界上最古老的文字，則出現在距今5000-6000年前，就是蘇美爾人的楔形文字。 Human beings have evolved from the earliest prehistoric civilization to a civilization that can be communicated with language and characters. The formation of characters plays a very important role in communication. The oldest characters in the world appeared 5000-6000 years ago, which is the wedge-shaped characters of Sumerians. 蘇美爾文字／楔形文字? 蘇美爾文字與古埃及文字在表象上就有不同，雖然最古老的蘇美爾文字與古埃及文字都是象形文字，但兩者也存在著較大的差別。古埃及的象形文字是仔細刻畫或精心繪制的圖形，有時還上了好幾種顏色，而古代蘇美爾人的象形文字只是一些圖示性的、線條式的圖形，這些線條只是象征性地表現符號所代表的實物。造成古蘇美爾和古埃及象形文字的這種差別的主要原因是書寫材料和書寫工具的不同。也正是蘇美爾人獨特的書寫材料和書寫工具，使蘇美爾人象形文字的符號在逐漸簡化的過程中，呈現出楔形，并最終完全失去其象形的特征。 Sumerian characters and ancient Egyptian characters are different in appearance. Although the oldest Sumerian characters and ancient Egyptian characters are pictographs, there are also great differences between them. Ancient Egyptian hieroglyphs are carefully depicted or carefully drawn graphics, sometimes with several colors, while ancient Sumerian hieroglyphs are only some pictorial and linear graphics, which only symbolically represent the physical objects represented by symbols. The main reason for this difference between ancient Sumerian and ancient Egyptian hieroglyphs is the difference of writing materials and writing tools. It is the Sumerian unique writing materials and writing tools that make the Sumerian hieroglyphic symbols present a wedge in the process of gradual simplification, and finally completely lose their pictographic characteristics. 古埃及／文字 在看埃及文字，文字圖形大都是在埃及神廟和陵墓的墻壁及屋頂上，有大量壁畫和浮雕作為裝飾，現存的很多古埃及銘文就是用來填補和裝飾這些壁畫和浮雕的。因此，古埃及文字藝術的外觀和功能都與宗教信仰及墓葬習俗緊密相連，而且埃及人堅信這些文字與形象具有真正的自然力量。的確，在許多刻寫在墓室墻壁或墓葬器物上的文字中，古埃及人認為有必要去除象形文字的某一部分，比如鳥類符號都被去掉了腿，目的是使那些可能傷害死者的力量失靈。這種認為文字和藝術形象具有魔力的認知也體現在一種叫做“開口”的葬儀中。埃及人相信，通過這種儀式，死者的木乃伊和雕像就會被注入新的生命——在托勒密時期的神廟中，每天早晨似乎都會舉行類似的儀式，目的是讓神廟墻上的文字與形象復活。 When looking at Egyptian characters, most of the characters and graphics are on the walls and roofs of Egyptian temples and tombs. There are a large number of murals and reliefs as decoration. Many existing ancient Egyptian inscriptions are used to fill and decorate these murals and reliefs. Therefore, the appearance and function of ancient Egyptian writing art are closely related to religious beliefs and burial customs, and Egyptians firmly believe that these words and images have real natural power. Indeed, in many texts inscribed on the walls of tombs or burial objects, the ancient Egyptians considered it necessary to remove some parts of the hieroglyphs, such as the legs of bird symbols, in order to disable the forces that might harm the dead. This recognition of the magic of words and artistic images is also reflected in a funeral called "opening". Egyptians believed that through this ritual, the mummies and statues of the dead would be injected with new life - in Ptolemaic temples, similar rituals seemed to be held every morning in order to revive the words and images on the temple walls. 古埃及／文字? 中華民族是一個很偉大的民族，中華文明也是最獨特的文明。世界上所有的國家里，只有我們中國的文化是始終沒有間斷過的傳承下來，也只有我們的漢字是世界上唯一的古代一直演變過來沒有間斷過的文字形式。從大約是在公元前14世紀，殷商后期的“甲骨文”被認為是“漢字”的第一種形式，直到今天，各種字體紛紛誕生，綜藝體、整塊體、浮云體、變體等等，這都標志著東方文明，華夏文化精神的具體表現。畫論中就有“書畫同源”一說，這是因為最早的文字來源就是圖畫，是象形的，書與畫同時發(fā)力，同根生，有很多內在的聯(lián)系。漢字的起源就是原始的圖畫，原始人在生活中用來表達自己的“圖畫”形式。慢慢的從原始圖畫變成了一種“表意符號”。象形文字因此互相傳播，最后達到完美的固態(tài)式樣。 The Chinese nation is a great nation, and the Chinese civilization is also the most unique civilization. In all countries in the world, only our Chinese culture has been continuously inherited, and only our Chinese characters are the only uninterrupted text form that has evolved in ancient times in the world. From about the 14th century BC, the "oracle bone inscriptions" in the late Yin and Shang Dynasties were regarded as the first form of "Chinese characters". Until today, various fonts have been born, including variety style, whole block style, floating cloud style, variants and so on, which all mark the specific expression of Oriental civilization and Chinese cultural spirit.There is a saying that "calligraphy and painting are of the same origin" in painting theory, which is because the earliest source of characters is pictures, which are pictographic. Books and paintings work together at the same time, have the same root, and have many internal connections. The origin of Chinese characters is the original picture, the "picture" form used by primitive people to express themselves in life. Slowly from the original picture into a "ideographic symbol". The hieroglyphs thus spread to each other, eventually reaching a perfect solid-state pattern. 中國／甲骨文? 中國文字不僅是只是實際應用，作為在文學藝術的精神領域上都是有著非常重要意義，一個民族的強大首先是文化自信和強大，文字根脈研究與發(fā)揚光大，更多的是文化的傳承。中國象形文字包含著中國人的偉大智慧，文字出自心象?！靶南蟆本褪侨祟愖晕倚撵`在高維度空間向三維度、二維度空間所有相的投影源。心象是什么意思，什么又是心象，簡單從幾點陳述人類生命體的心象。當對象不在面前時，我們的頭腦中浮現出的形象稱為知覺形象或者組織樣式稱為心象。心象的種類有多樣化，可以從不同角度對他進行分類，首先根據感覺通道也就是視覺心象，在大腦中出現的具有視覺特征的形象。然后在聽覺心象大腦中浮現出的具有聽覺特征的形象。相繼有運動心象，也就是與動作系統(tǒng)相關聯(lián)的形象，比如運動、游泳、各種活動等等。和在心的投影源所想象的包括自己憑空捏造的形象等等，這幾點所呈現的形象也正是人類生命本心的投影所呈現的相。根據理論進一步證實心象就是在高維度空間的第四維度上的投影源，所有其他的顯相都是三維度或二維的空間里…。 Chinese characters are not only practical applications, but also of great significance in the spiritual field of literature and art. The strength of a nation is first of all cultural self-confidence and strength. The research and development of the root of characters is more the inheritance of culture.Chinese hieroglyphs contain the great wisdom of the Chinese people, and the characters come from the mind image. "Mental image" is the projection of human self mind in high-dimensional space to all phases of three-dimensional and two-dimensional space. What is the meaning of mental image and what is it? Simply state the mental image of human life from several points. When the object is not in front of us, the image that emerges in our mind is called perceptual image or organizational style is called mental image. There are various types of mental images, which can be classified from different angles. First, according to the sensory channel, that is, the visual mental image, the image with visual characteristics in the brain. Then the image with auditory characteristics emerges in the auditory heart image brain. There have been sports mental images, that is, the images associated with the action system, such as sports, swimming, various activities and so on. And the original imagination of the projection in the heart, including the image fabricated out of thin air, and so on. The image presented by these points is also the image presented by the projection of the original heart of human life. According to the theory, it is further confirmed that the mental image is the projection original on the fourth dimension of high-dimensional space, and all other manifestations are in three-dimensional or two-dimensional space. 中國／甲骨文? 人類心靈智慧的體現是來自最高維度的投影源，也就是我們每個人的心，也就是心象或者說是本心。為提高人類心靈能量，推動自我成長，達到相由心生、境隨心轉、格物致知、知行合一為主要目的，為人類真正獲得內心的精神幸福、高維認知、充盈著人類高維度的人文意義。它將是提高心質、開闊心胸、明心見性、提升境界，加強中華民族的原創(chuàng)精神，用新藝術能量喚醒我們心質，讓藝術成為這個新時代人文關懷心象導師的終極精典。 The embodiment of human spiritual wisdom comes from the projection of the highest dimension, that is, the heart of each of us, that is, the mental image or the original heart. In order to improve human spiritual energy, promote self-growth, achieve the main purpose of growing from the heart, changing the environment, learning from things and integrating knowledge and practice, and truly obtain inner spiritual happiness, high-dimensional cognition and high-dimensional humanistic significance for mankind. It will improve the quality of mind, broaden the mind, be insightful, enhance the realm, strengthen the original spirit of the Chinese nation, awaken our quality of mind with the energy of new art, and make art the ultimate classic of the mentor of humanistic care in this new era. 李剛（一禪）作品／黃河之水天上來?? 從藝術家到哲學家，從藝術家成為哲學家，在思考后的藝術作品的哲學呈現。藝術家與哲學家具有同一性，他們的哲學思考是"我"的思考，而不是"他"的哲學思想的復述，藝術家與哲學家的界限更多的是人為的，其本質是一個現代性問題，其后果是藝術家喪失了哲學思考的習慣和能力，阻斷了成為哲學家的可能。為此，藝術家應具有哲學的自覺，對藝術創(chuàng)作實踐生活充滿激情，對他人的思考具有寬容的心態(tài)，形成自己獨特的哲學智慧，從而使自己通向哲學家成為可能。抽象藝術作品最有表現力量的是藝術作品的純粹性，其實藝術最有生命力的地方，當然體現在作品本體的內涵境界上。無論任何藝術作品，都是有著強大的文化支撐點，都是由表及里，由一般的事物表面進入內心世界。所表現的不僅僅是一張畫的簡單視覺意思，細細品味有幾個層面的意識。他的文化影響力和藝術感染力會延遲很長時間，每次品味，又有了和從前不一樣的意識境界，這也就是藝術作品的能量所在。 From artist to philosopher, from artist to philosopher, the philosophical presentation of artistic works after thinking. Artists and philosophers have identity. Their philosophical thinking is the thinking of "I", not the repetition of "he". The boundary between artists and philosophers is more artificial. Its essence is a problem of modernity. The consequence is that artists lose the habit and ability of philosophical thinking and block the possibility of becoming philosophers. Therefore, artists should have philosophical consciousness, be full of passion for artistic creation and practical life, be tolerant of the thinking of others, and form their own unique philosophical wisdom, so as to make it possible for them to lead to philosophers.The most expressive force of abstract works of art is the purity of works of art. In fact, the most vitality of art is naturally reflected in the connotation realm of the work itself. No matter what works of art are, they have a strong cultural support, from the outside to the inside, from the surface of ordinary things to the inner world. It shows not only the simple visual meaning of a painting, but also several levels of consciousness. His cultural influence and artistic appeal will be delayed for a long time. Each time he tastes, he has a different realm of consciousness than before, which is where the energy of artistic works lies. 李剛（一禪）作品／開悟? 李剛繪畫作品在某種意義上在傳達一種新的繪畫形式以及能量的向著多維度縱深啟示的視覺感。在《一畫開天》、《文字?中華門》、《天人合一》、《境由心生》、《光的方向》、《文字1號中國人》等系列作品中，仿佛傳達一種神秘的宗教儀式感和有著極強的立體建筑空間感，仿佛有西班牙，安東尼·高迪設計的圣家大教堂的雄偉，莊嚴，敬畏之感。同時又有東方佛堂建筑的肅穆及神秘宇宙感，在視覺藝術精神上讓你向往，讓你心靈感受宇宙之大，我們人類如此脆弱又渺小。 In a sense, Li Gang's paintings convey a new form of painting and the visual sense of multi-dimensional and in-depth enlightenment of energy. In a series of works such as "one painting opens the sky", "character · Zhonghua Gate", "unity of heaven and man", "the environment is born from the heart", "the direction of light" and "character No. 1 Chinese", it seems to convey a mysterious sense of religious ceremony and a strong sense of three-dimensional architectural space, as if it has the sense of majesty, solemnity and awe of the saint's Cathedral designed by Anthony Gaudi in Spain. At the same time, it also has the solemn and mysterious sense of the universe of Oriental Buddhist hall buildings, which makes you yearn for the spirit of visual art and make your heart feel the size of the universe. We humans are so fragile and small. 李剛（一禪）作品／日月同輝?? 李剛通過將漢字符號“人”的放大與夸張，使“人”矗立在天地之中，這種與天地齊肩，與日月同輝的境界，突顯了人格的偉岸和靈魂的不朽，形成了東西方文化交融后的當代意識。后當代的信息復雜性，使藝術的文化性具有綜合跨界性。藝術的問題也隨即演變成哲學和社會學等人文學科的綜合問題。因而，但凡優(yōu)秀的藝術家，也必定是具備跨界能力的復合性文化學者。 By magnifying and exaggerating the Chinese character symbol "man", Li Gang made "man" stand in heaven and earth. This state of shoulder to shoulder with heaven and earth and shining with the sun and moon highlights the greatness of personality and the immortality of soul, forming a contemporary consciousness after the integration of eastern and Western cultures.The complexity of post contemporary information makes the cultural nature of art comprehensive and cross-border. The problem of art then evolved into a comprehensive problem of humanities such as philosophy and sociology. Therefore, any excellent artist must be a compound cultural scholar with cross-border ability. 李剛（一禪）作品／文字?空間?? 李剛在雕塑、書法、繪畫上的跳躍式自由切換，正是得益于這些綜合能力的長期歷練，更是得益于中國文化神性思維的滋養(yǎng)。作為人類靈魂喚醒與引領的話語方式，藝術本身即是手段又是目的。正如康德在論述“道德”時所強調的，道德本身即為手段又為目的?！八囆g”與“道德”在某種意義上有著相同的屬性，都是在試圖啟發(fā)并引領著人類靈魂走向“善”與“崇高”。只不過，藝術更接近于與神共話，彰顯著人類神性的精神內核。 Li Gang's Leaping free switching in sculpture, calligraphy and painting benefits not only from the long-term experience of these comprehensive abilities, but also from the nourishment of the divine thinking of Chinese culture.As the discourse way of awakening and leading the human soul, art itself is both a means and an end. As Kant emphasized when discussing "morality", morality itself is both a means and an end. "Art" and "morality" have the same attributes in a sense. They are trying to inspire and lead the human soul to "goodness" and "Sublimity". However, art is closer to talking with God and shows the spiritual core of human divinity. 李剛（一禪）作品／天人合一? 李剛所具有的核藝術特質，正是基于這種宇宙觀所形成的人類“意志審美”的新嘗試。它不再局限于某種流派，某種主義。而是以神性的思維，俯瞰整個宇宙中所有生命與靈魂的生長軌跡，喚醒與引領人類無限接近“神性”的思維突破。藝術家的良知與使命感，使李剛在這一思維方式中，回歸中華文化根系，并透過物質現象“還原”本源。在兼收中否定既有的藝術規(guī)則，以驚世駭俗的全新視角，重新定義當下。從當下重新出發(fā)，為藝術的自由，人性的釋放，插上了神性的翅膀。 李剛（一禪）作品／格物致知 The nuclear art characteristic of Li Gang is a new attempt of human "will aesthetics" based on this cosmology. It is no longer limited to a certain genre, a certain doctrine. But with divine thinking, overlooking the growth path of all life and soul in the whole universe, awakening and leading mankind to infinitely approach the "divine" thinking breakthrough.The artist's conscience and sense of mission make Li Gang return to the root of Chinese culture in this way of thinking and "restore" the origin through material phenomena. It negates the existing artistic rules and redefines the present from a shocking new perspective.Starting from the present, we have inserted Divine Wings for the freedom of art and the release of human nature. 李剛（一禪）作品／文字?中華門 李剛（一禪）作品／伏羲?一畫開天?? 李剛（一禪）作品／日出東方佑中華 李剛（一禪）作品／光的方向?? 李剛（一禪）作品／境由心生 李剛（一禪）作品／上善若水?? 李剛（一禪）作品／致中和?? 李剛（一禪）作品／華龍1號?? 李剛（一禪）作品／文字1號中國人? 李剛（一禪）／雕塑家／書法家（?世界知識畫報封面） ????????????壬寅年2022年4月16日北京李剛／作品文章／尚柔／指導.胡天遙出品人/尚柔攝影/謫仙總監(jiān)／一禪百度搜索“雕塑家李剛”、“李剛立體主義＂可以了解更多有關雕塑家李剛作品藝術及評論致謝＂百度支持”部分攝影圖片來自“百度”支持歡迎您互相交流相互支持誠摯建立一個良好的交流平臺，為能量文化做好自己致敬北京通州區(qū)宋莊園領部落C幢4單元102室李剛雕塑藝術工作室AAbc?原創(chuàng)/中國藝術&線上國際歡迎支持轉摘.轉發(fā)中國能量文化本?平臺無嘗為一線各類優(yōu)秀藝術家服務可在留言處留言 ????????????Ren yinnianApril 16, 2022BeijingLi Gang / worksArticle / guide / guide Hu TIANYAOProducer / Shang RouPhotography / ShixianDirector / YichanBaidu search"Sculptor Li Gang", "Li Gang Cubism"You can learn more aboutSculptor Li Gang's art works and commentsThanks for "Baidu support"Some photos come from "Baidu" supportWelcomeCommunicate with each othersupport each otherSincerely establish a good communication platform,Be yourself for energy culturesaluteRoom 102, unit 4, building C, lingtribe, song manor, Tongzhou District, BeijingLi Gang sculpture art studioAABC ? original / Chinese Art & Online InternationalWelcome to support the excerpt Forward Chinese energy culture? the platform serves all kinds of outstanding artists in the front lineYou can leave a message at the message office

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中國文字精神 Chinese character spirit

AAbc原創(chuàng) / 中國藝術&amp;線上國際

AAbc原創(chuàng) / 中國藝術&線上國際